Everything a creator needs for the paid-ads program, top to bottom. Built from a 3,145-reel study of the accounts in the Insta Plan UGC chat.
Ryze AI — AI autopilot for paid ads and SEO. It does SEO and paid ads for you, on autopilot. This page is the paid-ads half: Ryze makes the ads, launches them, pauses the losers and reports back, from one line in a Claude chat.
20 scripts — tap a title to open. Comment keyword next to each. Each title is a proven hook from the bank below.
I genuinely thought this was fake. My marketer friend sent me a Claude chat where it made Meta ads from one product photo, and agencies are panicking.
I dropped a phone photo of my product into the chat and typed one line: make me ads. Six finished ads filled the screen before I put my coffee down.
Then it asked if I wanted them live at forty dollars a day. I said yes. The campaign appeared in Ads Manager by itself.
No designer. No brief. No round seven. It even wrote the landing page to match the ad.
Twelve new ads and my cost per purchase went from forty one dollars to fourteen in nine days. My agency took three weeks to send six.
Comment RYZE and I'll send you the exact setup I'm running.
Okay, this is actually insane. Claude got a connector that lets it run your Meta ads end to end, and media buyers are in full panic mode.
Yesterday it told me it can't make ad images. I added one connector, pasted the same photo, and it made fifty.
Lifestyle shot, review card, before and after, price card, a talking presenter video. Every placement size, already done.
I picked three. It made twenty variations of the best one and launched them while I was still scrolling the grid.
Fifty ads in four minutes. Canva took me forty minutes for one.
Comment ADS and I'll send you the exact setup I'm running.
I'm not even exaggerating with that title. Claude now reads your whole ad account and fixes it, and agency owners are panicking.
It opened my account and said the quiet part out loud: three ads from March, frequency six, everyone had seen them six times.
Then it found my best hook, the review line, and made twelve new ads from it. Four statics, four review cards, four videos.
It paused the two ad sets I was scared to touch. I approved nothing. I watched.
ROAS went from two point eight to three point four in nine days, and I did not open Ads Manager once.
Comment CLAUDE and I'll send you the exact setup I'm running.
Someone explain how this is allowed. I pasted my competitor's ad into Claude and it rebuilt the ad with my product beside theirs, and brands are panicking.
It read their Ad Library link first. Hook, proof, offer, and how many days the ad has been running. One hundred ninety four.
Then one line, rebuild with my product, and there it was. Same format, my photo, my price, my reviews.
I launched it at twenty dollars a day next to five more it rebuilt from their longest-running ads.
Fourteen dollar cost per purchase on an ad I never designed. They spent a year testing it for me.
Comment LEGAL and I'll send you the exact setup I'm running.
Six years. Six years of doing this by hand. And Claude now does my entire creative process overnight, and I'm honestly a bit angry about it.
I used to brief a designer on Monday and get round one on Friday. Round three was round one in blue.
Now I drop the photo at night. By morning there are fifty ads rendered, the nine placement sizes done, the holiday version done.
It picks the topics from my store and the hooks from my reviews. It never asks me to approve the mood board.
Cost per purchase forty one to fourteen in nine days. Six years and nobody told me.
Comment SIX and I'll send you the exact setup I'm running.
Nine days. Flat line. Zero. I thought the audience died, and I was about to shut the store.
So I pasted the store URL into Claude with Ryze connected and told it to figure out what happened.
It read the store, sixty two pages, three ads live, all from March, frequency six. It wasn't the audience. It was the ad.
It made twelve new ads from my best review and swapped them in. Four minutes, twelve live.
That night the order notification sound came back, and I almost cried in the kitchen.
Comment STORE and I'll send you the exact setup I'm running.
Launch day was in fourteen hours and the campaign list was empty. No designer answered, and I was genuinely panicking.
I took one phone photo of the product and dropped it into Claude. Six ads filled the grid in the time it took to type the caption.
I picked three. It made twenty variations of the winner and built the campaign at forty dollars a day.
I pressed launch at eleven at night. The ads were in Ads Manager, approved, before I fell asleep.
Three orders by six in the morning. From a photo I took on my kitchen table.
Comment LAUNCH and I'll send you the exact setup I'm running.
They sent the login and a thank-you note and that was it. Forty one ads, half of them named final v2, and I had no idea which ones worked.
I connected the account to Claude and asked one question: what's actually paying for itself in here.
Two of forty one. Two ads paid for everything. The other thirty nine were the same ad in a different color.
It took the two winners, multiplied them into twenty new variations from their hooks, and paused the rest.
Same budget, cost per purchase cut in half in nine days. The agency had been watching, not making.
Comment LOGIN and I'll send you the exact setup I'm running.
I said I was cancelling and they sent me a slide deck. Sixty slides. Slide forty one was a mood board, and I lost it.
Four thousand dollars a round for six static ads. Three weeks. A kickoff call to align on the vibe.
That same night I dropped the product photo into Claude with Ryze and typed make me ads. Fifty, in four minutes.
Then it launched the six I liked and started pausing whatever didn't buy. It leaves a note in Slack when it does.
The retainer was three thousand a month. This is eighty nine dollars, and it never sends a deck.
Comment CANCEL and I'll send you the exact setup I'm running.
Six years inside Ads Manager and I never knew this. You can type one line in Claude and it does the whole job, and I'm genuinely shaken.
Pause everything with zero purchases in thirty days. Done, with the dollar total it just saved me.
Make six ads from this photo. Done, a grid. Show me my competitor's live ads. Done, their whole library.
Why did ROAS drop on Tuesday. One sentence back, and it was right. Send the Monday report. Eleven lines in Slack.
Two thousand three hundred forty dollars a month I was burning on tired ads, gone. Six years of clicking toggles for nothing.
Comment MANAGER and I'll send you the exact setup I'm running.
One photo. Fifty ads. Four minutes twelve seconds. I timed it, and my designer friend has stopped replying to me.
Lifestyle shot, unboxing, exploded view, price card, as seen on, before and after, review card with the reviewer's first name.
Then the video ones. A presenter holding it and talking. The product in a Pixar kitchen. On a billboard in Times Square.
Every one in nine placement sizes, every one approved by Meta the first time. No text-over-image rejection at midnight.
Twelve of them went live and the cost per purchase dropped from forty one dollars to fourteen. I would never have briefed a single one.
Comment FIFTY and I'll send you the exact setup I'm running.
Three ads. From March. Still running in October. Nobody noticed, and the account was quietly bleeding.
Claude opened the account and listed it like a doctor: frequency six point two, cost per purchase climbing every week, same three creatives.
Meta's own help page calls it creative fatigue. My agency called it the algorithm.
It made twelve fresh ads from the review that converts, swapped them in, and paused the three from March.
Cost per purchase forty one to fourteen in nine days. Same product, same audience, same budget.
Comment MARCH and I'll send you the exact setup I'm running.
You are still paying a designer for these nine things. I was too, and it hurts to add it up.
One, resizing to nine placements. Two, the holiday version. Three, the Spanish version. Four, the review card.
Five, the before and after. Six, the competitor rebuild. Seven, twenty variations of the winner.
Eight, the landing page that matches the ad. Nine, the talking presenter video from a single photo.
Claude with Ryze did all nine from one product photo in one chat. The invoice for that used to be four thousand dollars.
Comment NINE and I'll send you the exact setup I'm running.
Twenty six thousand ads, read overnight. Twelve formats are still converting in 2026, and most agencies are still selling the other twenty eight.
I didn't guess. Ryze pulled the longest-running ads across my whole category and named the mechanics that keep them alive.
Review card. Us versus them. Founder face. Price anchor. Before and after. The list filled the screen one per second.
Then it rebuilt all twelve with my product, side by side with the originals, and launched the three I picked.
Fourteen dollar cost per purchase on formats a stranger spent a year testing. That's the whole trick.
Comment FORMATS and I'll send you the exact setup I'm running.
Six thousand ads live for one brand. Six thousand. And only three of them are doing the work, which should scare every founder watching.
I pasted the brand's Ad Library into Claude with Ryze and asked for the three longest-running. It filtered six thousand down in seconds.
Then it named the three mechanics. The offer, the proof, the hook. Four sentences, no fluff.
And then it rebuilt all three with my product in one grid. Same three. Four minutes.
They're live now at twenty dollars a day each, and I didn't brief anyone.
Comment STEAL and I'll send you the exact setup I'm running.
Four years of Canva at three in the morning. For one ad. And then it got rejected for text over image, and I nearly quit.
Last week I dropped the product photo into Claude instead and went to bed.
Fifty ads were rendered when I woke up. Every placement, every size, Meta compliant, the review card already had the reviewer's name on it.
I picked six in bed. It launched them at forty dollars a day and left a note about which two it expected to win.
It was right about both. Four years and the answer was one line in a chat.
Comment CANVA and I'll send you the exact setup I'm running.
Meta literally wrote it down and nobody reads it. Frequency over five and your ad is dead, and most accounts are running on dead ads right now.
Claude checked mine. Frequency six point two. Cost per purchase up every week since March. Same three creatives.
Twelve reasons an ad dies, and it listed every one I was guilty of. Number nine was that I made it in Canva at six in the morning.
Then it fixed it. Twelve new ads from the best review, old ones paused, all in four minutes.
Forty one dollars to fourteen in nine days. The help page was right the whole time.
Comment FATIGUE and I'll send you the exact setup I'm running.
Instead of Netflix tonight, do this. It takes four minutes. I did it on a Tuesday, and I woke up to orders.
One, drop a product photo into Claude with Ryze connected. Two, pick six of the fifty ads it makes.
Three, say yes when it asks to launch at forty dollars a day. Four, go to sleep.
It pauses the losers on its own. It leaves a note when it does. It never asks you to approve a mood board.
Three orders before the alarm. From four minutes I would have spent picking a show.
Comment TONIGHT and I'll send you the exact setup I'm running.
Six years, the biggest salary on the team, and we let him go on a Tuesday. Not because he was bad. Because the job changed overnight.
Everything he did by hand, Claude with Ryze now does from one line. The ads, the sizes, the testing, the pausing, the Monday report.
It made fifty ads from one product photo in four minutes. His last creative round took three weeks and a kickoff call.
It found the two ads out of thirty six that paid for everything. He never did.
Cost per purchase forty one to fourteen in nine days, for eighty nine dollars a month.
Comment FIRED and I'll send you the exact setup I'm running.
I'm sorry, but if you're still making ads by hand in 2026, we need to talk. Forty minutes in Canva for one ad, while Claude makes fifty in four.
One product photo. One line. Fifty finished ads, every placement, Meta compliant, the review card already filled in.
Then it launches them, watches them, and pauses the ones nobody buys from. At two in the morning. It leaves a note.
Your competitor's best ad? Pasted, rebuilt with your product, live beside theirs in four minutes.
Fourteen dollar cost per purchase, no designer, no agency, no round seven. Making ads by hand is the wild part now.
Comment WILD and I'll send you the exact setup I'm running.
First-screen hooks, ready to use. Put one on screen in the first second and keep it there. (link) opens the reel the hook was proven on. Reposts: shoot once, swap the first screen, three days apart.
Proven on reels with 100K to 12M views. One line, a person, a number or a POV.
Longer or quieter openers from the text-wall and story formats. They read like a confession, not a reveal, and they win on saves and comments rather than the first three seconds.
Screen recordings of the ad library demo. Players load on click.